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Songs of St. James

by Anthony LaLota

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1.
When I was a boy this town was so small We could walk from one end to the other in no time at all My father worked odd jobs and drove used cars until they died It was quintessential small town American life This town was a steam train once upon a time From the main street square to the outskirts, it burned with enterprise The industry crumbled, factories moved on or died The levee broke open and swept us away with the tide Nostalgia’s for suckers, we gloss over the bad things Like a late May scar won’t heal, it just hides under summer skin Tragedy shapes us, we keep it all inside Some scars don’t heal, they’re all in for a lifetime My parents were stern, they struggled for certain I was raised to feel less like a blessing and more of a burden They married for passion, then stood by idly as it died For better or worse … until the money ran dry Hey old friend, how’ve you been? Glad you came for the reunion When I left it was a goldmine Which was the faster to pass you by … the town or the time? My father drank often at some dive by the railroad tracks The trains came and went but the loyals were nightly & steadfast That room was a graveyard where dreams and families went to die Those ghosts still haunt with the passing of trains & time
2.
Caroline's a dreamer, since the day we met Can't hold a thought from one day to the next Apple of her mama's eye, daytime drunk of a dad Weight of the world and siblings on her back She held out til 17, that was long enough Courthouse wedding, mama cried and father never showed up I took her in my arms and held her until that dreadful day That I saw her leaving on the train I fell hard for her coffee eyes and the taste of gin on her breath The way she laughed and held a cigarette Crooked floors and plastic walls, a house don't make a home Drunk and poor, we made it all our own But her long legs kept her restless and kept me on my toes Through dreams of dancing, cabaret, poetry and prose Long after she'd lost her voice, I'd so much left to say When I saw her leaving on the train "Tell me son, where you from? Where do you call home?" I've trailed her through so many towns, I don't really know A duplex in the suburbs, a trailer in a park And neighborhoods you don't go out after dark She used to say that home was just a place or state of mind Anywhere I'd keep her close, safe and warm inside I couldn't bear to watch her leave or even speak her name When I saw her leaving on the train I saw her not too long ago, at the plaza on Charles Street With a suitcase, waiting on the 2:19 She had a man beside her, her hand clutched to his chest Look on his face of love and regret I saw it in that moment, she'd always chase the sun Lovers a dime a dozen, we'd be the unlucky ones He had the same look on his face I had on mine that day That I saw her leaving on the train
3.
Corner Boys 04:06
Catch the sunrise from the south side as it lights up Curtis Bay Take a Diamond cab to the corner store, cash your check, go outside and wait Follow Fire Head to the marketplace, don’t be even a few seconds late Because the corner boys keep moving on Keep your eyes peeled for the Crown Vic, like a roach in a crowded house Always underfoot in the open air, trying to keep us all on the outs Stay the course, feet loose & lips tight, there’s no time to make friends on the prowl Because the corner boys keep moving on How did we get here? Is everyone born with a plastic spoon? Do we dare dream of better days or just those we don’t make the evening news? Is it so much better than some ditch digging shift or the abattoir blues? Does Fire Head’s name come from his long red dreads or his short, hot fuse? Take the Light Rail to North Avenue, put the morning out of your mind Catch a few winks by the telephone, it could ring again anytime It’s a gamble but it’s a living, never known any other kind Can’t afford to get left behind Because the corner boys keep moving on
4.
Penny Spades 04:21
“What’s the plan tonight, Francine?” she smiled as I asked Like tonight was any different than the several hundred last Penny spades and Black Watch from used plastic cups I’ve lost all week, tonight I ride with lady luck Bare bones in Greenmount West in ‘89 Just the stove for heat and a stack of scratched up 45’s Then the rains came, like Big Sambo said they would Our parents drowned; would they have saved us if they could? The sounds of errant gospel fill the air From the bowels of Greenmount West to the heights of Union Square The barefoot preacher cries “Bow your head & close your eyes All you need to live the Lord provides” But our confidence is tainted like the blood flow in our veins It’s a miracle just to breathe the morning air So deal another hand Francine, my valentine; my childhood crush Soul food took her health, the nightlife claimed her son Not one day of work would she have missed If there was work for patients on dialysis The sounds of errant gospel fill the halls And ripple through the sheets that hang in place of walls “There are angels everywhere They keep us safe & hear our prayers The good lord only gives what we can bear” But our confidence is shaken, like our faith in city hall It’s a miracle when both feet touch the ground So deal another round It speaks volumes when folks are more surprised To see us alive & well than to hear that someone died It’s hard to find somewhere to put your faith Most days it’s just Black Watch and penny spades Most nights it’s just Black Watch and penny spades Most years it’s just Black Watch and penny spades It’s just Black Watch and penny spades
5.
The streetlights glow a pale golden hue But they can’t hold a candle to the evening moon The smell of exhaust and subtle perfume Hang in the air, then follow the cab as it moves Down on the avenue Flush with excitement & dressed to the nines For jazz at the Silo and drinks at Divine Some kind of strangers’ reflections are cruel They only remind that one night is the best we can do Down on the avenue I used to tell you in the early days In our first apartment when we’d lie awake The sounds of the city were savage & cruel I’d fly us away on the wings of a song and we’d move Down on the avenue Stories of drifters and poor, lonely souls They’re pretty, but hardly worth their weight in gold This poet reflects what she knows to be true It’s a pity there’s only so much room for the blues Down on the avenue We saved a fortune for an evening with kings I’ve broken my voice (and I’ve bled for the strings) With you in a black dress (and you in a suit) It’s worth it to walk just once like we’ve nothing to lose Down on the avenue “Love what you do and you won’t work a day” The sentiment is lost when the work doesn’t pay We’ve flirted with five star, stellar reviews But nothing to liven the floors or get people to move Down on the avenue Our double shifts at the bar over town Keep us afloat when we’re tempted to drown My words are alive when they’re put to your tunes So why is the money so fleeting, and the people so few? Down on the avenue We saved a fortune for an evening with queens Played every dive in our dwindling scene You look like a prince in your black buckle shoes You belong on a runway with nothing to prove Down on the avenue The streetlights glow a pale, golden hue But they can’t hold a candle to the midnight moon Tomorrow our dreams are yesterday’s news Lost to the race like so many that never come true Down on the avenue
6.
Sweet girl don’t cry, you’ll stain your face Resentment tears can leave a bitter taste That emptiness you feel, you’ve every right But look around: this is no place or time Your dad’s a legend at Pimlico & Laurel Downs He won eight big dimes at the ‘78 triple crown A Good Time Charlie, a bleacher butterfly With a broken vow to never leave your side But he don’t need your love to get high or feel alive You look so grown up in your mother’s pearls Does she know nothing of your daddy’s world? I used to see them out on Friday nights He’d call her Little Filly, and sparks would fly But he don’t need her love to get high or feel alive When you can’t sleep at night When it hurts to hear them fight Rest your weary head and close your eyes Imagine all the pretty horses going by Your daddy’s always off on his own race And this lowly usher could never take his place Win or lose, he pays me well each week But there’s no company I’d rather keep You don’t need his love to get high or feel alive
7.
Nick's Cafe 04:06
It’s never after hours at Nick’s Cafe No need to go home, no need to stay awake Settle in for slumber in a corner booth bed Your hat for a pillow, tucked beneath your head We’re all happy losers here, the unfortunate sons Lost in the nightlife and scared by the sun Marching to the beat of a different kind of drum Alone and out of place, you’re not the only one There’s Troubadour Charlie from the Brass Monkey Bar Plays sweet Southern soul on an archtop guitar The stubborn old sailor, they call him Seafood Sam Always telling tales of better days when men were better men And the South Street Singers, they croon for spare change All hours at Nick’s Cafe As for me, my troubles are just the usual type Heartbroken, restless, maybe wound a little tight Nothing not fixed by hot coffee and pie And the night shift waitress, she’s a sight for sore eyes Jamie, she’s sweet as the cafe chocolate cake Tough as the blue plate special: four dollar pepper steak A hopeless romantic, unlucky in love The years ain’t been kind to her, she’s all but given up New York City nearly left her blind She sunk like an anchor in the New England Maritime Every home’s been heartless like a town without charm The night owls & early birds keep her safe until dawn The South Street Singers croon to soothe her aches All hours at Nick’s Cafe It’s never after hours at Nick’s Cafe Nowhere to be? There’s no better place to wait We don’t play for keeps and nobody’s keeping score When every table is taken, there’s still room for one more The South Street Singers never take a break All hours at Nick’s Cafe There’s good times to be had and friends to be made All hours at Nick’s Cafe
8.
The last time I left the city you were standing in the street Stubborn and swearing in a sundress, you were calling out to me Pennsylvania Station, slumped in a window seat I swear your voice carried from Pigtown, pleading desperately You belong here Fireworks in the harbor place, the swearing in of summertime Rooftop parties and cash bars would bleed my wallet dry You’d wear those flats with the open toes to show your foot tattoo The cracks & jabs from the upper class would never get to you You belong here Amid the hustle, the bright lights and the bums But the stars never shine in the city sky and the night air weighs too much The whistle cries from the night train like a high and lonesome sound My heart sinks heavy in my Oxfords and weighs the Amtrak down Petulant and pensive, I recall my nights with you I’ll count the days til the next one … they won’t come a day too soon One thing darling, promise you’ll never leave If I’m lost on a reason to come back, you’ll be all the reason I need You belong here
9.
Comb the couch for fresh loose change Cradle the bottle like a newborn babe Smoke our cigarettes in chain While we wait The winter bites through ragged clothes Three young kids wrapped in one old coat That's not the way the money goes As of late It's hard to be not quite in love The first year in, a baby comes The second year, a second one Then we eloped Took some pills to ease the stress Failed the factory's urine test Denied unemployment checks And then we broke The fire trucks light the way We catch a glimpse of Santa's sleigh Each passing year the kids get harder & harder to persuade Still we stand, we smile and we wave I found some work out on the fringe It's not ideal, but we live with it What won't a man do for his kids? I'm scared to tell My wife keeps busy and discreet Had a third kid just last week But he don’t look a thing like me It's just as well The fire trucks light the streets We raise our hands to catch the sweets Each passing year it's getting harder to make the kids believe Still we stand, we smile and we dream It wasn’t meant to be like this We barely talk, we never kiss It’s hard to even reminisce On our early days Christmas day is two weeks off The gifts will come, but at what cost? Never dreamt we’d be so lost ...but we’ll try to lose ourselves in the parade
10.
It’s a Pall Malls on the front porch kind of night You can’t blame a man for keeping just one vice I miss the way your mother smiled on nights like this I wish I hadn’t so badly burned that bridge It’s a long haul back home from the steeplechase When you’ve come up short every cent of your petty wage Does a bitter end still justify the means? It makes nightmares from these big, romantic dreams When the Carousel closed for the season We were dying for one last run To give up now would be treason We’ll hit on the next one $10,000 from a McJob check on a prizefight Who ever said that lightning won’t strike twice? Your granddad was a boxer in his day It’s kismet, then: we can’t lose this way When the ropes came down in the evening We were dying for one last fight To throw in the towel would be treason It’s best to let it ride Dearest daughter, forgive me, for I have sinned I never meant for you to bear the brunt of it I know your mother swore she’d keep in touch But random cards & calls don’t count for much It’ll do us well to trade the city lights For a quiet place to see the stars at night A cabin in the woods of the Mountain State A chance to rest and rehabilitate I’ve failed you from your first day in this world I’ll fail you no longer, my sweet girl

about

Crotalus Records #CRG2103

For his debut album, Anthony LaLota constructed a studio space in his dim, uncomfortable basement and brought only the essentials: string lights, bourbon, some beat-up guitars and, perhaps most important, a declined invitation to his 20 year high school reunion.

“Adolescence, early 20's… I think those years are tough even under the best of circumstances. I wanted to tell some honest stories about the friends and company I kept in those days, who lived them under some of the worst circumstances.”

With a title that nods to Leonard Cohen and working-class poetry celebrating the lonely, desperate, and the down-but-not-quite-out, his debut album 'Songs of St. James' is the sound of a sympathetic troubadour serenading lost souls in a dark bar with their own ghost stories.

These are hard luck tales, but there are glimmers of hope in the heartbreak, and even the bleakest moments are uplifted by being played in major keys. You’ll hear hints of Springsteen’s Americana, early Tom Waits and a 'Workers Playtime' Billy Bragg, but the sounds & stories on 'Songs of St. James' are all his own.

credits

released October 15, 2021

Christopher Carithers - harmonica (1), mandolin (3)
Jared A. Conti - vocals (7)
Lovisa Laine - vocals (5)
Kimberly Rose - vocals (7)
Ryan Douglas Rose - piano & supporting instruments
Cate Saavedra - vocals (8)
Anthony LaLota - vocals, acoustic & electric guitars, bass, piano, keyboards, harmonica
Eddie Severn - trumpet (7)
Chris Stringer - electric guitar (2)

Recorded at home by Anthony LaLota and friends
Mixed & mastered by Ryan Douglas Rose
Produced by Ryan Douglas Rose and Anthony LaLota
Photography by James LaLota (assisted by Enzo Waits)

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Anthony LaLota Pennsylvania

Anthony LaLota writes soulful story songs & folk ballads with the vibe of a worn acoustic guitar found on the floor of CBGB's. Since 2008 he’s performed in cafes, clubs, bars, theaters, festivals, book stores, record shops and radio stations throughout the US, Canada, and Europe. His debut album 'Songs of St. James' was released in October 2021. ... more

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